St. paul: a screenplay

Autor: Pier Paolo Pasolini
Editora: Verso

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Sinopse

“Mingles an intellectual leftism with a Franciscan Catholicism.” —New StatesmanPresented here for the first time in English is a remarkable screenplay about the apostle Paul by Pier Paolo Pasolini, legendary filmmaker, novelist, poet, and radical intellectual activist. Written between the appearance of his renowned film Teorema and the shocking, controversial Salò, or the 120 Days of Sodom, St Paul was deemed too risky for investors. At once a political intervention and cinematic breakthrough, the script forces a revolutionary transformation on the contemporary legacy of Paul. In Pasolini's kaleidoscope, we encounter fascistic movements, resistance fighters, and faltering revolutions, each of which reflects on aspects of the Pauline teachings. From Jerusalem to Wall Street and Greenwich Village, from the rise of SS troops to the death of Martin Luther King, Jr, here— as Alain Badiou writes in the foreword—"Paul's text crosses all these circumstances intact, as if it had foreseen them all."This is a key addition to the growing debate around St Paul and to the proliferation of literature centred on the current turn to religion in philosophy and critical theory, which embraces contemporary figures such as Alain Badiou, Slavoj Žižek and Giorgio Agamben."Pasolini seems to me indisputably the most remarkable figure to have emerged in Italian arts and letters since the Second World War ... His poetry is an important part of his passionate, proud, historically vulnerable body of work, a work in and with history; and of the tragic itinerary of his sensibility." Susan Sontag

Dados

Título: St. Paul: A Screenplay

ISBN: 9781836740384

Idioma: Inglês

Encadernação: Brochura

Formato: 12,8 x 19,8 x 1,3

Páginas: 192

Ano de edição: 2025

Edição:

Participantes

Autor: Pier Paolo Pasolini

Organizador: Elizabeth A. Castelli

Tradutor: Elizabeth A. Castelli

Autor

ALAIN BADIOU

Alain Badiou , filósofo, dramaturgo e romancista, leciona filosofia na Universidade de Paris-VII Vincennes e no Collège International de Philosophie. Publicou, entre outros, os ensaios Le nombre et les nombres (Seuil, 1990), Conditions (Seuil, 1992), Abrégé de métapolitique (Seuil, 1998), o romance Calme Bloc ici-bas (P.O.L, 1997) e a comédia Les Citrouilles (Actes Sud, 1996).

No Brasil, foram editados Manifesto pela filosofia (Aoutra, 1991), Para uma nova teoria do sujeito (Relume-Dumará, 1994), Ética: um ensaio sobre a consciência do mal (Relume-Dumará, 1995), O ser e o evento (Jorge Zahar, 1996) e Deleuze: o clamor do ser (Jorge Zahar, 1997).