Gall is best known for his “S & M sculpture paintings”, which echo the disquiet of Hans Belmer’s dolls and conjure the debris of everyday life into stunted, contorted and amputated characters. They are tortured pictures of a tortuous process, fetish-objects in the cult of Gall’s own practice.

Neil Gall’s paintings are always showing us something, however strange the objects portrayed. Magnifying the scale so that every tiny detail of an object can be captured, they are intricate and methodical investigations of aspects of reality that our own perception can often miss. The things subjected to this treatment are equally worthy of attention, whether they are as ordinary and familiar as toy farm animals, chocolate bars and burst balloons, or as creepy and hard to place as the bound black figures of works like Tyburn and Performance.

The paintings draw us in through illusionism and recognition, whilst always reminding us of what we can’t recognise and don’t see. Their apparently straightforward concern for photorealist accuracy and transparency belies a complex set of paradoxes that intersect within them. Detached and observational on the surface, they are in fact bound up with layers of fantasy and with what they cannot show us about the objects they rigorously represent.

Shelf Life is a thought-provoking exploration of this exciting artist, with insightful written contributions by Simon Groom, Johanna Malt and Charles Darwent alongside stunning reproductions of his work. Neil Gall studied at the Slade School of Art. His forthcoming exhibitions are at Galleria Fabjbasaglia, Bologna in Autumn 2007 followed by his second solo show at Hales Gallery, London in Spring 2008.