In 1960, the Swiss artist Jean Tinguely was asked to build a sculpture to be installed in the Sculpture Garden of New York s Museum of Modern Art. In collaboration with other artists and engineers, he constructed the self-destructive machine Homage to New York, which operated for 27 minutes during a public happening. It paid homage to the energy of a city that keeps recreating itself. To commemorate the 50th anniversary of Tinguely s action, the Museum Tinguely in Basel and the Swiss Institute in New York will mount a group show entitled Under Destruction, presenting today s aesthetic potential of destruction, in which 20 international artists will investigate the role of destruction in contemporary art. Reflected from different angles, destructivity can be anything ranging from a creative act to a memento mori of the environment, from prosperity trash to a poetic transformation. Fifty years ago, the focus was the vision of an apocalypse through atomic wars. Today, the many different works are primarily inspired by critical evaluations of consumerism and surplus production. Artists: Nina Beier + Marie Lund, Monica Bonvicini, Pavel Buchler, Nina Canell, Jimmie Durham, Alex Hubbard, Alexander Gutke, Martin Kersels, Michael Landy, Liz Larner, Christian Marclay, Kris Martin, Ariel Orozco, Michael Sailstorfer, Arcangelo Sassolino, Jonathan Schipper, Ariel Schlesinger, Roman Signer, and Johannes Vogl. Texts: Barbara Casavecchia, Boris Groys, Martin Herbert, Justin Hoffmann, Gianni Jetzer, Piper Marshall, Chris Sharp, Roland Wetzel, and Michael Wilson.